E.V. Day
E.V. Day
Lab Grant Resident
“In working to emboss an image of a pigmented bodystocking into the pulp paper, Day first established a clear set of parameters and then allowed for the controlled yet chance results that come from altering them when imprinting each new work. Stretching the stockings onto frames made templates that could be reused — re-pigmented with different colors and hues — so that Day ultimately created several series of monotypes, as well as an overall body of work that develops a complex visual pattern of repetitions and variations. The embedding and pressing process allowed for choices about distinctions in color tonalities while also encouraging chance pigmentation occurrences. Other production choices — different sizes of paper, the adapted torquing of the stockings, the use of glow-in-the dark pigments, and the careful cropping of the template — offer the viewer sometimes overt and sometimes more subtly implied narrative content: a running figure, the suspension wires of a bridge, the open legs of a crotchless pair of hose, or the glowing filament lines of an astrological map. So for Day, who had not worked extensively in two dimensions before this immersion in the handmade, the unique opportunities the medium offered for seriality were very much in keeping with her formal concerns.”
—Excerpt from “Flying Without a Net” by Catherine Morris, for “E.V. Day: New Works in Handmade Paper,” Lab Grant Publication Series No. 13, Dieu Donné
About the Artist
E.V. Day (b. 1955, NY, NY) is a New York based artist whose work explores themes of sexuality and humor while employing gravity-defying suspension techniques. By manipulating iconic imagery from popular culture, Day re-animates the recognizable into new forms that illuminate contradictions in gender roles and stretch the confines of social stereotypes. Recently awarded the prestigious Rome Prize for Visual Arts by the American Academy in Rome, Day worked for a year in the Eternal City where she continued a twenty-year practice of creating sculptures that interact with, and respond to renowned architectural spaces.
The first work in her Exploding Couture series, Bombshell, included in the 2000 Biennial of The Whitney Museum of American Art, was suspended in the lobby of The Breuer Building, and is now in the Museum’s permanent collection. Day has had numerous solo exhibitions, including the installation G-Force at The Whitney Museum at Altria in 2001, in which she suspended hundreds of thongs from the ceiling in fighter-jet formations, and a survey exhibition at the I.M. Pei-designed Herbert F. Johnson Museum of Art at Cornell University in 2004. Bride Fight, a high-tension string-up of two dueling bridal gowns, was exhibited at Lever House as part of their collection in 2006. In 2010, she exhibited Divas Ascending, a 14-sculpture installation at Lincoln Center created from costumes from the archives of the New York City Opera—an exhibition that traveled to The Kentucky Center for the Performing Arts in 2011, to The Houston Grand Opera in 2012, to The Memphis Brooks Museum in 2019, and will be exhibited at The Taubman Museum from 2021-2023.
Day’s work is in the permanent collections of The Whitney Museum of American Art, The Museum of Modern Art, The San Francisco Museum of Modern Art, The Brooklyn Museum, The National Museum of Women in the Arts, The New York Public Library, Saatchi Collection, Lever House, The Smithsonian National Air and Space Museum and in numerous private collections. In addition to The Rome Prize, she has been awarded grants and residencies from Versailles Foundation Munn Artists Program, at Claude Monet’s Garden, Giverny, France; ArtPace International Artist-in-Residence, San Antonio, Texas; NYFA: New York Foundation for the Arts; Dieu Donné Lab Grant in NYC and Residency at The Atlantic Center for the Arts with funding provided by The Joan Mitchell Foundation. Day has exhibited with private galleries including Deitch Projects, Carolina Nitsch Contemporary Art, Mary Boone, Sandra Gering, Salomon Contemporary, and Henry Urbach Architecture in New York; with Rhona Hoffman Gallery in Chicago; with Baldwin Gallery in Aspen; and with Galerie Hans Meyer in Berlin. (Source: Artist’s Website)
For more information, please visit their website: https://www.evdaystudio.com.
In the Studio
Available Works
